[kaleido]
カレイドスコープ 音の光景 / Sound Gallery
[Japanese/English]

(それぞれ拡大してご覧になれます / You can see magnifying each pictures.)




[Aquirax Uno]

B全ポスター(1973年制作)宇野亞喜良©
Aquirax Unoゥ 1973


[pompeii head]


[Pompeii Panorama]

[Pompei Eugene]


[Dave Gilmour] [Rick Wright]
[Nick Mason] [Roger Waters]

[names]
[Dave Gilmour] [Rick Wright]
[Nick Mason] [Roger Waters]




【ノート】
宇野亞喜良氏のご紹介(装幀制作・序文)

 フロイドが日本で初めて演奏した七一年、我が国のファンはどっと増えた。しかしそれ以前から雑誌などで熱狂的なエールを送っていたのが宇野亞喜良氏だった。宇野氏のすさまじい超感覚と覚醒された洞察は、フロイドの扉を開く先駆者、まさに私と高橋氏の原点となった。そんな宇野氏から序文に快く承諾いただき、なおも装丁に尽力いただき、天にも昇る心地である。
(『ピンク・フロイド 幻燈の中の迷宮』あとがきより)

[NOTE]
An Introduction for Mr. Aquirax Uno (foreword and cover design)

In 1971, when Pink Floyd performed in Japan first, Japanese fans suddenly increased. However, that was the very Mr. Aquirax Uno who praised Pink Floyd sky-high with enthusiasm still more for a long time in magazine etc. Mr. Uno's terrific ultra-sense and awakening insight was a pioneer to open the Floyd's door, and just became the starting point for me and Mr. Takahashi. So, because we could get his ready consent to write a foreword, moreover were rendered services to cover design, we are in seventh heaven.
(from postscript to a book by Imai)


宇野亞喜良氏の70年代の文章はコラムスコープをごらんください。

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